Gone to Earth

Small feckless clouds were hurried across the vast untroubled sky-shepherdless, futile, imponderable-and were torn to fragments on the fangs of the mountains, so ending their ephemeral adventures with nothing of their fugitive existence left but a few tears. It was cold in the Callow-a spinney of silver birches and larches that topped a round hill. A purple mist hinted of buds in the tree-tops, and a fainter purple haunted the vistas between the silver and brown boles. Only the crudeness of youth was here as yet, and not its triumph-only the sharp calyx-point, the pricking tip of the bud, like spears, and not the paten of the leaf, the chalice of the flower. For as yet spring had no flight, no song, but went like a half-fledged bird, hopping tentatively through the undergrowth. The bright springing mercury that carpeted the open spaces had only just hung out its pale flowers, and honeysuckle leaves were still tongues of green fire. Between the larch boles and under the thickets of honeysuckle and blackberry came a tawny silent form, wearing with the calm dignity of woodland creatures a beauty of eye and limb, a brilliance of tint, that few-women could have worn without self-consciousness. Clear-eyed, lithe, it stood for a moment in the full sunlight-a year-old fox, round-headed and velvet-footed. Then it slid into the shadows. A shrill whistle came from the interior of the wood, and the fox bounded towards it. Mary Webb was an English romantic novelist and poet of the early 20th century, whose work is set chiefly in the Shropshire countryside and among Shropshire characters and people which she knew. Her novels have been successfully dramatized, most notably the film Gone to Earth in 1950 by Michael Powell and Emeric Pressburger. They inspired the famous parody Cold Comfort Farm.