Stet

Stet tells the life story of Stet, a filmmaker from Soviet Leningrad, who (like the real-life Sergei Paradjanov) is sent to a prison camp in the 1960's, and who dies there without having produced much more than a single film. The novel is narrated in an extravagant third-person voice which emulates the sound and attitude of the classic "Russian Novel." Opinionated, discursive, soulful, the voice establishes the basis of the society in which Stet lives: a place where everybody judges, everybody feels he has the right to criticize, and the State even encourages "self-criticism." Failing that, the State may even criticize you to death. The novel imagines a world where we do not live by our judgments of others, nor by our fear of what other people think of us. Stet, a classic Russian "holy fool," does not criticize anybody, and does not defend himself, but simply works at his art without acknowledging any barriers. He does not compromise because it doesn't occur to him to compromise. The result is that he is treated brutally by friends and enemies, and is judged in every imaginable way. Yet he lives and dies as a happy man. The mystery of this is the mystery of the novel.