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Ridley Scott: Interviews
Ridley Scott
Ridley Scott: Interviews
Ridley Scott
This collection of interviews follows Ridley Scott over twenty-five years as he perfects the Ridley Scott look, builds his media empire, and reacts to the twenty-year cult status of Blade Runner. Throughout, he discusses the triumphs and challenges involved in working with A-list actors and big-budget special effects.
Publisher Marketing: Artisan, entrepreneur, and impresario, British filmmaker Ridley Scott accepts the profit motive as the only way to thrive in an industry where there is little patience for artistic flourishes or overblown expenses. Yet, while he may pay lip service to the free enterprise system, he is an unapologetic auteur, committed to using every element of film-from evocative lighting to digital composition-to overwhelm our senses and redefine how we perceive the future ("Alien," "Blade Runner"), the past ("1492: The Conquest of Paradise," "Gladiator"), and the present ("Thelma & Louise," "Black Hawk Down"). This collection of interviews follows Scott over twenty-five years as he perfects the Ridley Scott look, builds his media empire, and reacts to the twenty-year cult status of "Blade Runner." Throughout, he discusses the triumphs and challenges involved in working with A-list actors-particularly such women as Susan Sarandon, Sigourney Weaver, and Demi Moore-and big-budget special effects. Scott emerges as a consummate English gentleman who acknowledges the legacy of the futuristic "Blade Runner" and "Alien" but who also is adept at taking the pulse of contemporary American culture. Unlike many of his colleagues in the U. S., Scott did not attend film school. Instead, he developed his visual sensibility at London's Royal College of Art. Years in television production gave Scott the clout and confidence to revitalize feature filmmaking. He hit the jackpot with "Alien" but ran into financial and logistical difficulties with "Blade Runner" and "Legend." In response he shifted his attention to more contemporary genres, offering a continental perspective on America in "Black Rain" and "Thelma & Louise." By the late 1990s Scott had achieved both critical and commercial success with Oscar-winning films "Gladiator" and "Black Hawk Down." Laurence F. Knapp, Highland Park, Illinois, is an instructor and lecturer on film studies at Northwestern University and is the editor of "Brian De Palma: Interviews" (University Press of Mississippi). Andrea F. Kulas, Park Ridge, Illinois, is an independent media consultant and a contributor to "1001 Films You Must See Before You Die."
Contributor Bio: Scott, Ridley Ridley Scott is the director of G. I. Jane, White Squall, 1492: Conquest of Paradise, Thelma and Louise, Black Rain, Someone to Watch Over Me, Legend, Blade Runner, Alien, The Duellist, and the forthcoming Hannibal (2000). David H. Franzoni's previous films include Amistad and Jumpin' Jack Flash. John Logan was a screenwriter for RKO 281, Any Given Sunday, and Bats. Contributor Bio: Kulas, Andrea F Andrea F. Kulas, Park Ridge, Illinois, is an independent media consultant and a contributor to 1001 Films You Must See Before You Die. Contributor Bio: Knapp, Laurence F Laurence F. Knapp is professor of film studies at Oakton Community College. He is the author of "Directed by Clint Eastwood" and the editor of "Brian De Palma: Interviews" and "Ridley Scott: Interviews" (published by University Press of Mississippi) and has published in "Jump Cut" and other publications.
Media | Books Paperback Book (Book with soft cover and glued back) |
Released | February 1, 2005 |
ISBN13 | 9781578067268 |
Publishers | University Press of Mississippi |
Pages | 277 |
Dimensions | 226 × 151 × 41 mm · 408 g |
Language | English |
Editor | Knapp, Laurence F. |
Editor | Kulas, Andrea F. |
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