Things That Have Interested Me

Publisher Marketing: I have never seen a reasonably good all-round performance of grand opera. Nevertheless, though not a melomaniac, I am extremely fond of grand opera, and have seen it in the following cities: Antwerp, Brussels, Florence, Ghent, Hanley, Lisbon, London, Milan, New York, Paris, Ostend, Philadelphia, Rome, San Remo, and others which I cannot recall. If operatic performances succeed in several particulars, as they sometimes do-though rarely in more than one-they always fail in at least one particular, generally in several, sometimes in all. The best show I ever saw anywhere on the operatic stage was a performance of Le Mariage de Figaro in English at Drury Lane under Sir Thomas Beecham. The production had been superintended by Nigel Playfair. The translation was quite neat, and often very witty indeed. The acting was good. There was an ensemble. The scenery was not really good, but it was so immensely better than ordinary scenery in world-renowned opera-houses that it gave the illusion of being good. I was as well satisfied by this affair as by a faulty performance of Strauss's absolutely enchanting Rosenkavalier at Covent Garden: which is saying a great deal. It would be impossible for me to decide which was the worst show I ever saw-the choice would be too embarrassing. But it occurred certainly in either Paris, Milan, or London. I know that after a performance of Siegfried, at the Paris Opera House I took an oath never again to enter the Paris Opera House. Contributor Bio:  Bennett, Arnold Enoch Arnold Bennett, the son of a solicitor, was born in Hanley, Staffordshire in 1867. He was educated locally and at London University, before working initially as a solicitor s clerk, but soon turned to writing popular serial fiction and editing a women s magazine. After the publication of his first novel, A Man from the North in 1898 he became a professional writer and some of his best and most enduring and acclaimed work, including Anna of the Five Towns, The Old Wives' Tale, Clayhanger, The Card and Hilda Lessways followed over the next twelve years. Soon after the outbreak of the First World War, Bennett was invited to join the War Propaganda Bureau, concerned with finding ways of best promoting Britain's interests. He was in good company, as others who contributed to this effort included Conan Doyle, John Masefield, G. K. Chesterton, Sir Henry Newbolt, John Galsworthy, Thomas Hardy, Rudyard Kipling, Gilbert Parker, G. M. Trevelyan and H. G. Wells. Bernard Shaw knew nothing of the Bureau, but attacked what he believed to be jingoistic articles and poems being produced by British writers. Bennett was the one chosen to defend their actions. He served on a War Memorial Committee at the invitation of the then Minister of Information, Lord Beaverbrook, and was also appointed director of British propaganda in France. His spells in Paris added to his reputation as a man of cosmopolitan and discerning tastes. After the War he inevitably returned to writing novels and also became a director of the New Statesman . Bennett s great reputation is built upon the success of his novels and short stories set in the Potteries, an area of north Staffordshire that he recreated as the Five Towns . Anna of the Five Towns and The Old Wives Tale show the influence of Flaubert, Maupassant and Balzac as Bennett describes provincial life in great detail. Arnold Bennett is an important link between the English novel and European realism. He wrote several plays and lighter works such as The Grand Babylon Hotel and The Card . Arnold Bennett died in 1931.