Bill Dughaille

Firelight Bill Dughaille

A modern-day tale of an ordinary family gathering at Christmas; the good, the bad, the dysfunctional and the forgotten. George Browne and his wife Winifred have retired to a large, run-down pile in the country. Rumour has it that it was once the abode of a mad aristocratic family with a penchant for Satanism, and that both they and their victims still haunt the corridors. Other rumours are that it was a lunatic asylum for much of the nineteenth and twentieth century, and bodies of the inhabitants are buried around the large gardens in unmarked graves. The Brownes are an unremarkable retired couple who, depending on who you might ask, have bought it as an investment, or alternatively as somewhere with enough bedrooms to accommodate their children, grand-children, and the little baby great-grandchildren. Too often in the past excuses have been made at special times, the most common of which has been of the "I don't want to put you to any trouble" variety. That excuse can no longer hold water. Now it is approaching Christmas. Winter has set in, but the house is snug with oil heaters and real fires. As the various relations arrive, or don't arrive, it becomes clearer why invitations might have been refused in the past. The men of the family believe in having their way. The women of the family are strong-willed in their own different ways, and have various means of getting what they want. The guests of the family - friends, boyfriends, girlfriends, wives and husbands - discover that their partners have a totally different side to them as the explosive hatreds of long-nurtured fights and feuds simmer to the surface before quickly boiling over. One evening Winifred Browne encourages them to each tell a story as they sit in the lounge with the large fire warming them, the television off, no access to broadband, computers or mobile connections. Reluctantly at first they begin. As each evening passes: with different members taking turns, they announce in stories the feelings and hopes they cannot voice in public. Finally it's the turn of Winifred Browne. Her story will be the one that tells them who they are, where they come from, and maybe why they have turned out the way they have.